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Olivia Newton-John was one of the biggest pop stars in the 1970s and early 1980s. In the movie musical Grease, she starred as good girl Sandy Olson, who falls for a bad boy played by John Travolta.

As winter nears, we look for ways to be warm and comfortable. One of the best ways to do that, says food writer Nigella Lawson, is to indulge in rich, tasty foods that some might call guilty pleasures. For instance: Why not make French toast that tastes like a doughnut?

Garden writer Bonnie Blodgett didn't know what her sense of smell meant to her — until she lost it. Her new book, Remembering Smell, describes what it's like to live in the world without being able to smell it — from the sweet aromas of springtime to the stench of sour milk.

English rose from humble beginnings to become a language that's spoken by people from every corner of the Earth. In Globish, Robert McCrum tells the story of how a mongrel language slowly took the world by storm.

Sportswriter Frank Deford's historical novel, Bliss Remembered, tells the story of a young American swimmer at the 1936 Olympics in Berlin. Deford explains why he was drawn to this particular historical setting — and what it's like to write a novel from the perspective of a woman.

It's easy to feel the romance in the musical relationship between Michael Trent and Cary Ann Hearst, who've become musical embodiments of how loving couples make it work.

In 1971, Motown founder Berry Gordy created MoWest, a California label that would last only two years before being dismantled. A new anthology documents this odd and little-known chapter in Motown's history.

Long Lost Suitcase is not just Jones' story, but also the story of America's musical roots spreading to reach the whole planet, generation by generation.

More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.

Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.