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  • Residents of Montenegro vote Sunday to split from Serbia and become an independent state. Debbie Elliott talks with Tom Hundley of the Chicago Tribune, who has been reporting on the historic vote from Serbia-Montenegro.
  • Sami Malik, national communications officer for UNICEF in Pakistan, talks with Robert Siegel about aid efforts for parts of Pakistan devastated by Saturday's earthquake.
  • The alluvial plain that is the Mississippi Delta was once home to a thriving cotton plantation economy. But the decline of manual labor and exodus of manufacturing jobs have made difficult conditions worse in one of the nation's poorest regions.
  • On a red-hot August night in 1965, the Watts neighborhood of Los Angeles exploded with racial frustration. But 40 years after a traffic stop sparked the Watts riots, which claimed 34 lives, little has changed.
  • Evan S. Connell, an old American master, and Claire Keegan, a young Irish prodigy, both have new books of short fiction this summer — and both are worth picking up.
  • Neurologist Oliver Sacks' earliest and fondest memories are of fire — the coal fires of his childhood home, Hanukkah candles. Today he deals more with the firing of neurons, but he still gets his fix through flame-inspired literature like Hazel Rossotti's Fire, about the culture and science of fire.
  • Police say surveillance video captured the attack, and the escape of the shooter in a vehicle which hit a bicyclist a few miles away. They identify the suspect as 35-year-old Oscar Morel of Brooklyn.
  • In the week after Ayman al-Zawahiri was killed in a U.S. drone strike in Kabul, Afghanistan saw anti-U.S. protests and a deadly ISIS-claimed attack on a Shia mosque.
  • The Horniman Museum promised to repatriate a trove of artifacts, which include objects known as Benin bronzes, looted from West Africa during a British military invasion in 1897.
  • Patrick Flanagan leads the band Jazari, but to call it a "band" would be generous. Flanagan is Jazari's only member, and his primary tools are two Wii remotes. Using these controllers along with software he programmed himself, Flanagan plays elaborate percussion compositions with instruments such as the djembe, clave, cowbell, cabasa, agogo and bongo drums.
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