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Deputy Secretary of State Robert Zoellick announces he will leave the State Department to join Wall Street firm Goldman Sachs. Secretary of State Condoleezza Rice, who has called Zoellick her "alter ego," praised his six years of service.

At least 14 Palestinians have been killed in a series of Israeli air and artillery strikes in the Gaza Strip over the last 24 hours. The Israeli military says the attacks were in response to rocket fire from Gaza into southern Israel. The military wing of the militant Islamist group Hamas said it will no longer honor a 15-month truce.

A federal judge upholds the FBI's search of the office of Rep. William Jefferson, the Louisiana Democrat at the center of a bribery investigation. The judge also denied a request to have the materials seized in the May raid returned.

At 18, Yundi Li became the youngest person ever to win the prestigious International Chopin Competition. The pianist, now 22, discusses his enthusiasm for the 19th-century Polish composer.

Dave Smith, a pioneer of the synthesizer, revolutionized pop music in the 1980s. David Bowie and Madonna are among the legions who used his Prophet 5 synthesizer. Smith died last week at age 72.

John Williams' score was, true to form, unforgettable — as Jeff Goldblum remembers in an interview with NPR.

The critically acclaimed rock group Band of Horses has roots in South Carolina. But the band formed, made its name and recorded its first CD in Seattle. Now its members are back in the Palmetto State, and back with a new album called Cease to Begin.

Ballet dancer Carlos Acosta is known for powerful leaps that make him seem to fly. Those leaps have earned him comparisons with Nureyev and Baryshnikov. He grew up in a poor neighborhood outside Havana. How that boy became a man who dances with grace and power is the subject of Acosta's memoir, No Way Home.

In Diary of a Wimpy Kid by author and illustrator Jeff Kinney, the most mundane details of a middle school student's life are uproarious. Kinney's illustrated diaries remind readers about the dramas of junior high.

Quetzal has spent two decades playing the soundtrack of its East L.A. neighborhoods: an evolving mash-up of Mexican son jarocho, low-rider oldies, cumbia, boleros, rock and blues.