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Composers Rhiannon Giddens and Michael Abels have brought a true story to the opera stage: the life of Omar Ibn Said, a Senegalese Muslim scholar who was enslaved and brought to the Carolinas.

Debates are a tradition in American politics. But in this year's midterms, there are fewer events where candidates share a stage.

A proper standalone LP from the voice of The Roots was rumored for two decades at least. Finally here, Cheat Codes isn't just excellent: It's a product of all the years it went unmade.

The band's first new record in nine years confronts environmental ruin and pandemic-era isolation, but ends at a vantage of hope — one that sounds like it took all the intervening time to reach.

Themes like everything is connected, nothing happens without a purpose, and nothing is what it seems are central to both yoga philosophy and conspiratorial thinking.

Among other things Badalamenti's music, soft and bizarre and surging, was an emotional compass for the uncanny creations of director David Lynch.

Steven Spielberg says he's been hiding from his own story since he was 17. The Fabelmans is a lightly fictionalized version of his life, without raptors, sharks, or historical figures to hide behind.

For migrants traveling north to the U.S.-Mexico border from countries like Chile and Brazil, the trip has become virtually impossible without two things — a smuggler and social media.

New albums by Jon Batiste and Louis Cato arrive with high expectations. Both — as their experience leading led the band at Stephen Colbert's The Late Show has proved — are stellar live performers.

Ronson spent a year creating Barbie's music, with the help of artists like Nicki Minaj, Sam Smith and Billie Eilish. "Everyone ran with it and did something different," he says.